She blooms in her artistic and journalistic natural environment while being
  forced to classic studies, her assiduous visiting of the Quartier Latin in
  Paris precipitates the way of her fate...

  Her natural independence makes her choose a professional life made
  journeys and experiences to the rank which the paint is always present,
  gathering nectar in the current of the meetings, technical courts and
  exchanges with Confirmed Artists.


  After some participations and organizations of exhibitions for foundations
  or charity, she pursues her alone way, also in collective on various
  territories.

  It's impossible to reduce her in a trivialized register such as modern
  painting or abstraction.


  These antiacademic contrasts of techniques, styles and volumes are an
  internal necessity, a liberation, the enjoyment of her feelings.

She establishes a dialogue between sufarces, pigments, colors, textures, feelings and the result is a choral society, a sonata or else an opera.
 


 

Her works aren't a decoration but a presence.